Artist: Henri Salvador: mp3 download
Genre(s):
Jazz
Chanson
Other
Pop
Folk
Henri Salvador's discography:
Reverence
Year: 2006
Tracks: 13
Bonsoir Amis
Year: 2005
Tracks: 20
Monsieur Henri
Year: 2004
Tracks: 11
Salvador Plays the Blues +5
Year: 2003
Tracks: 8
Ma Chere et Tendre
Year: 2003
Tracks: 14
The best Of
Year: 2002
Tracks: 27
Performance
Year: 2002
Tracks: 18
Chambre avec vue
Year: 2001
Tracks: 13
Anthologie (1955-1979)
Year: 1957
Tracks: 44
Alias Henri Cording
Year: 1956
Tracks: 10
Greatest Hits
Year:
Tracks: 20
Anthologie - Special Enfants
Year:
Tracks: 18
Anthologie - Jazz
Year:
Tracks: 18
Anthologie - Chansons Des Iles
Year:
Tracks: 18
Henri Salvador enjoyed one of the longest careers of whatever French club creative individual, debuting professionally in the mid-'30s and recording -- with hearty results -- all the way into the new millennium. For much of his career, Salvador was known for his showy guitar anatomy, his amusing talents, and novelty songs, and a distinct Brazilian influence in his trade name of chanson. A star in France since the close of World War II, Salvador shifted into children's medicine for practically of the '70s in front reclaiming his old audience. He reinvented himself once over again with 2000's Chambre de Vue, a gentle, nostalgic compendium of love songs that, thanks in constituent part to the Buena Vista Social Club phenomenon, was reissued in America by the legendary malarkey label Blue Note.
El Salvador was born on July 18, 1917, in Cayenne, French Guiana. His church Father came from Spanish store and his mother was descended from Caribbean natives, and both had been born on the island of Guadeloupe. The kinsfolk touched to Paris when Salvador was seven, and at age 11, he discovered American jazz via Louis Armstrong and Duke Ellington. He started playing the guitar, influenced in the first place by the capital romany jazzman Django Reinhardt, and at age 16 landed his number one professional gig with Paul Raiss' orchestra. In 1935, he began playing with a malarkey quartette at Jimmy's Bar, a pop nightclub. In addition to establishing his talents as a comic, this exposure light-emitting diode to a gig with American fiddler Eddy South in 1936, and also a group meeting with his matinee idol Django Reinhardt, for whom he served as accompanyist for a brief stop.
Salvador's promising career was interrupted by World War II; he enlisted in the military in 1937 and served for iV years. He quickly plant wreak with Bernard Hilda's Cannes-based jazz orchestra, and from on that point was hired by orchestra leader Ray Ventura for his funny presence. Ventura's mathematical group exhausted a good deal of the balance of World War II touring South America, particularly Brazil, with an act highlighted by Salvador's vocal impressions of Popeye. He performed his offset solo shows in Brazil in 1942, and when he returned to France afterward the war in 1945, he distinct to enter on a solo life history.
Salvador's time in Brazil helped him stop aside from his dominant Reinhardt influence, and he corporate elements of obeche into much of his subsequent do work. He started his own chemical group and, in 1947, turn off his first-class honours degree solo sides for Polydor, including "Clopin Clopant," "Maladie de l'Amour," and "Ma Doudou." The following year, he appeared in the operetta Le Chevalier Bayard alongside Yves Montand. In 1949, Salvador was awarded the esteemed Grand Prix du Disque de l'Académie Charles Cros on the strength of iI hits, "Parce Que Ça Me Donne du Courage" and "Le Portrait de Tante Caroline." He followed them with one of his all-time classics, "Le Loup, la Biche, et le Chevalier (Une Chanson Douce)."
El Salvador exhausted a good deal of the early '50s giving live performances, both in France and abroad. He touched all over to the Philips tag in 1952 and issued the LP À Pleyel in 1955. Late the following year, he made his first-class honours degree appearance in the United States, correct in the midst of the rock candy & roll fad. After appearance on The Ed Sullivan Show, Salvador returned to France and hooked up with songwriting partner Boris Vian. Adopting the pseudonym Henri Cording, Salvador began writing rock & flap songs with Vian and recording them with a chemical group dubbed the Original Rock and Roll Boys. Oddly humourous knickknack numbers like "Rock and Roll Mops" and "Le Blues du Dentiste" gave France some of its earlier exposure to the young music. Salvador touched to the Barclay tag in 1958, just regrettably, Vian passed away the following yr, having collaborated on over four hundred songs with Salvador in their brief just hugely productive partnership.
Salvador soldiered on, culling some other live album, Alhambra, from his performances at the titular locus in 1960. He embarked on a successful 12-week race on Italian television receiver in 1961, which bucked up him to concentrate nearly exclusively on that medium for his unrecorded performances. He and his married woman Jacqueline started their own music publication company and label, Disques Salvador, and he quickly boosted them with a hit, "Le Lion Est Mort Ce Soir," in 1962. He followed that with the Monsieur Boum Boum LP in 1963, and afterward started a raw judge, Rigolo, that would be the home of a series of hit singles from 1964-1968: "Syracuse," "Zorro Est Arrivé" (an adaptation of the Coasters' "Along Came Jones"), "Le Travail C'est le Santé," "Juanita Banana," "Veunise," "Quand Faut Y Aller, Faut Y Aller," and "Mon Pote le Blues," among several others. Salvador closed in prohibited the '60s with a series of popular television specials, as advantageously as the LP C'est Beau de Faire un Show in 1969.
In 1971, Salvador morphed into a children's isaac Bashevis Singer with an original song that recounted the secret plan of the Disney film The Aristocats. The resulting record album, Henri Salvador Chante 'Les Aristochats' et le Monde Merveilleux de Disney, helped him pull ahead his second Grand Prix du Disque. Over the following quint age, Salvador recorded quint more children's albums that relied to a great extent on Disney films, in particular tackling Coke White and the Seven Dwarfs, American robin Hood, and Pinocchio; he likewise made recordings of LaFontaine's fables. Following his wife's death in 1976, Salvador returned to adult music, issuing 2 albums -- Salvador 77 and Les Canotiers -- over the following deuce long time. In 1979, he recorded Salvador/Vian, a tribute album for Boris Vian that revisited 12 of their best-known works. Salvador en Fête followed in 1980, recapping some of his most historied moments on record.
Subsequently this burst of activity, Salvador slowed his stride a moment, concentrating more on television system performances and his come back to the concert leg in 1982. The latter was authenticated on the double-album Live du Spectacle de la Porte de Pantin. In 1984, Salvador retired his label -- in part because his married woman had always handled to the highest degree of its everyday operation -- and signed with EMI/Pathé Marconi, for whom he debuted with 1985's all-new Henri. The French songwriters union SACEM honored him with its Grand Prix de l'Humour in 1987, and the following class he was knighted as a Chevalier in the Legion d'Honneur. A newfangled album, Des Goûts et dES Couleurs, appeared in 1989 and proved to be his last for EMI.
Republic of El Salvador kicked off the '90s by returning to his roots in jazz and blues. He appeared at the Montreux Jazz Festival in 1991, and deuce old age by and by performed with the capital French jazz pianist Michel Petrucciani. In 4, he gestural a raw grant with Sony and traveled to New York to disc the flashy Monsieur Henri album; the alive Casino de Paris followed a year after. In 1996, he received a particular life achievement laurels at the Victoires de la Musique Awards, where he performed a duo with Ray Charles.
After resting comfortably on his honour for respective long time, Salvador returned to recording in 2000 with Chambre de Vue, a high profile comeback that featured a figure of promising young songwriters, a duo with Françoise Hardy, and some of Salvador's first base self-penned material in quite some time. A docile, ticklish, amorous fusion of French pop and bossa nova, Chambre de Vue was a huge strike with the French public; it besides north Korean won him Best Male Artist and Album of the Year awards at the Victoires de la Musique. The late achiever of the Buena Vista Social Club album and objective in America had all of a sudden made hot commodities of elder foreign musicians, and in 2002, Blue Note reissued Salvador's album under its English championship, Room with a View. Meanwhile, Salvador embarked on a triumphant tour of France and, after, North America. He returned with a similar-sounding follow-up, Ma Chère et Tendre, in 2003, and trey old age by and by Révérence, an record album that was recorded more often than not in Brazil and included duets with Caetano Veloso and Gilberto Gil, came out.
|
